What is shot?
In Moviemaking and video
a shot is a series of frames that runs for an
uninterrupted period of time. Film shots are an essential aspect of a
movie where angles, transitions and cuts are used to further express emotion,
ideas and movement.
TYPES OF CAMERA ANGLES/ SHOTS:
angles are a great way to attract viewer interest and hold the audience’s
attention in film, TV or animation.
CLOSE UP SHOT
Close up shots are used to
show an object in such detail that it blurs the background around the image. It
can be used in film and media where the actors are close up to the screen which
gives the audience a feeling that they are involved in what is happening. It
could also add emphasis and importance to the scene, the object or person that
the close up shot is taken of being the focal point.
Close up shot shows the Character/figure chest up and in case of
Extreme Close up, we get to see only
the face of the Character chin up.
Contains a figure from the knees/waist up and is normally used
for dialogue scenes, or to show some detail of action. Variations on this
include the TWO SHOT (containing two figures from the waist up) and the THREE
SHOT (contains 3 figures) Any more than three figures and the shot tends to
become a long shot. Background detail is minimal, probably because location has
been established earlier in the scene – the audience already know where they
are and now want to focus on dialogue and character interaction. Another
variation in this category is the OVER-THE-SHOULDER-SHOT, which positions the
camera behind one figure, revealing the other figure, and part of the first
figure’s back, head and shoulder.
This is the most difficult to categorise precisely, but is
generally one which shows the image as approximately “life” size i.e.
corresponding to the real distance between the audience and the screen in a
cinema (the figure of a man would appear as six feet tall). This category
includes the FULL SHOT showing the entire human body, with the head near the
top of the frame and the feet near the bottom. While the focus is on
characters, we can still see a plenty of background details.
EXTREME LONG SHOT
This can be taken from as much as a quarter of a mile away, and
is generally used as a scene-setting, establishing
shot. It normally shows an EXTERIOR, e.g. the outside of a building, or a
landscape. There will be very little detail visible in the shot, it is meant to
give a general impression rather than specific information.
A typical Scene follows the following order of Shots in a given
Beginning with the Extreme Long shot of the
location, say a wide expanse of a desert; this establishes the Scene.
Long Shot and thus we see our Characters in
Full figure sitting, standing or moving on the location.
Medium Shot and we see the Characters in more
Close up Shot and come close to the character
who is speaking.
This order of the shots is tentative; it is
not a rule to be followed, but just to give an idea of how the different types
of shots are placed in a given Scene. The Director of the film/Animation
decides on the types of shots he/she wishes to use in a Scene.
HIGH ANGLE SHOT
A high-angle shot is a
cinematic technique where the camera looks down on the subject from a high
angle and the point of focus often gets “swallowed up.” Giving them
an appearance of being small and insignificant, It is usually used in media when
the aim is to show that something is more powerful than the subject and also
make them seem vulnerable when applied with the correct mood, setting, and
LOW ANGLE SHOT
In cinematography, a
low-angle shot is a shot from a camera angle positioned low on the vertical
axis, anywhere below the eye line, looking up. Sometimes, it is even directly
below the subject’s feet. Psychologically, the effect of the low-angle shot is
that it makes the subject look strong and powerful.
OVER THE SHOULDER SHOT
In film or video, an over the shoulder
shot (OTS, or third-person shot) is a shot of someone or something taken from the perspective
or camera angle from the shoulder of another person. The back of the
shoulder and head of this person is used to frame the image of whatever (or
whomever) the camera is pointing toward. This type of shot is very
common when two characters are having a discussion and will usually follow an establishing
shot which helps the audience place the characters in their setting.
DUTCH TILT SHOT
Dutch tilt is a camera shot in which the camera angle is deliberately slanted
to one side. This can be used for dramatic effect and helps portray unease,
disorientation, frantic or desperate action, intoxication, madness, etc.
An eye-level angle is the one in which the camera is placed at
the subject’s height, so if the actor is looking at the lens, he wouldn’t have
to look up or down. Eye-level shots are incredibly common because they are
neutral. They often have no dramatic power whatsoever, thus they are ideal for
romantic comedies and news casting.
An exciting variation of a crane shot, usually taken from a drone.
This is often used at the beginning of a film, in order to establish setting
and movement. A drone is like a mini helicopter with a Camera attached to it;
this offers tremendous flexibility in taking an Arial shot and can convey real
drama and exhilaration — so long as you don’t need to get too close to your
actors or use location sound with the shots.
BIRD’S EYE VIEW
This shows a scene from
directly overhead, a very unnatural and strange angle. Familiar objects viewed
from this angle might seem totally unrecognizable at first (umbrellas in a
crowd, dancers’ legs). This shot does, however, put the audience in a godlike position,
looking down on the action. People can be made to look insignificant, ant-like,
part of a wider scheme of things.
Photography as a tool to understand Frame Compositions:
Each second of
Animation is composed of 24 individual frames (and sometimes 25 or 30 frames).
These individual frames are the still images that are projected at a speed of
24 frames/second to give the illusion of movement. Composition of these
individual frames is crucial in conveying the mood and the impact of the Scene.
We can use Photography as a tool to understand how to compose a Shot for
maximum impact. So, let’s begin!
First of all
we have to define what is meant by ‘composition’. Composition refers to the way
the various elements in a scene are arranged within the frame. There are no
hard and fast rules but guidelines. But it is good to understand a few
fundamental rules that have been used in art for hundreds of years and they
really do help in achieving aesthetically pleasing compositions.
with the most well-known composition technique: The Rule of Thirds.
The Rule of Thirds:
The rule of thirds is very simple. You divide the frame into 9 equal
rectangles, 3 across and 3 down as illustrated below. Many camera manufacturers
have actually included the capability to display this grid in live view mode.
Check your camera’s manual to see how to turn on this feature. Add Pic
In this photo, the horizon has been roughly placed along the bottom
third of the frame and the biggest and closest trees along the line to the
right. The photo wouldn’t have the same impact if the larger trees had been
placed in the centre of the frame.
The idea is to place the important element(s) of the scene along one or
more of the lines or where the lines intersect. We have a natural tendency to
want to place the main subject in the middle. Placing it off centre using the
rule of thirds will more often than not lead to a more attractive composition.
Composition and Symmetry
There are times when placing a subject in the centre of the frame works
really well. Symmetrical scenes are perfect for a centred composition. They
look really well in square frames too. Add Pic
Interest and Depth
Including some foreground interest in a scene is a great way
of adding a sense of depth to the scene. Photographs are 2D by nature.
Including foreground interest in the frame is one of a number of techniques to
give the scene a more 3D feel. Add Pic
In this photograph of a waterfall, the rocks in the river
provided a perfect source of foreground interest. Adding foreground interest
works particularly well with wide-angle lenses.
4. Leading Lines
Leading lines help lead the viewer through the image and
focus attention on important elements. Anything from paths, walls or patterns
can be used as leading lines. Take a look at the examples below. Add Pic
In this photo of the Eiffel Tower, the patterns on the paving
stones are used as leading lines. The lines on the ground all lead the viewer
to the Eiffel Tower in the distance. You’ll also notice that a centred
composition is used for this scene. The symmetry of the surroundings made this
type of composition work well. Add Pic
Leading lines do not necessarily have to be straight as
illustrated by the picture above. In fact curved lines can be very attractive
compositional features. In this case, the path leads the viewer to the right of
the frame before swinging in to the left towards the tree. The rule of thirds has
also been used when composing this shot.
5. Fill the Frame
In the photo of the lion on the left, you’ll notice that the
frame has been completely filled with his face, even cropping out the edges of
his head and mane. This allows the viewer to really focus on details such as
the eyes or the textures in his fur. You may also notice that the rule of
thirds has been used in this composition.
In the second shot of the Cathedral, very little space has been
left around the edges of the building. the point of this photograph is to
showcase the architectural detail of the front façade of the building.
6. Leave Negative Space
In the last guideline, we learned that filling
the frame works well as a compositional tool. Now we are going to see that
doing the exact opposite works well too. Leaving a lot of empty or ‘negative’
space around your subject can be very attractive. It creates a sense of
simplicity and minimalism. Like filling the frame, it helps the viewer focus on
the main subject without distractions.
photo of a giant statue of the Hindu god Shiva in Mauritius is a good example
of using negative space. The statue is obviously the main subject but plenty of
space has been left, filled only by sky around it. This focuses our attention
on the statue itself while giving the main subject ‘space to breath’ so to
speak. The composition also creates a sense of simplicity. There is nothing
complicated about the scene. It is the statue surrounded by sky, that is all. Again,
the rule of thirds has been used to place the statue to the right of the frame.
7. Simplicity and
the last guideline, we saw how leaving negative space around the main subject
can create a sense of simplicity and minimalism. Simplicity itself can be a
powerful compositional tool. It is often said that ‘less is more’. Simplicity
often means taking photos with uncomplicated backgrounds that don’t distract
from the main subject. You can also create a simple composition by zooming in
on part of your subject and focusing on a particular detail. Add Pic
8. Change your Point of View
photos are taken from eye level. Getting high up or low down can be a way of
creating a more interesting and original composition of a familiar subject. You
must have seen wildlife photographers in particular lying in the mud on their
bellies to get the perfect shot. Add Pic
9.Rule of Space
rule of space relates to the direction the subject(s) in your photo are facing
or moving towards. If you are taking a photo of a moving car for example, there
should be more space left in the frame in front of the car than behind it. This
implies that there is space in the frame for the car to move into. Take a look
at the example of the boat below. Add Pic
this photo, the boat is placed on the left hand side of the frame as it moves
from left to right. Notice how there is a lot more space for the boat to move
into in front of its direction of motion (to the right) than behind it. We can
mentally imagine the boat moving into this space as it sails along the river. We
also have a subconscious tenancy to look forward to where an object is heading.
If the boat was right up at the right hand side of the frame, this would lead
us out of the photograph!
10. Balance Elements in the Scene
compositional guideline we looked at in this tutorial was the ‘rule of thirds’.
This of course means that we often place the main subject of the photo to the
side of the frame along one of the vertical grid lines. Sometimes this can lead
to a lack of balance in the scene. It can leave a sort of ‘void’ in the rest of
this, you can compose your shot to include a secondary subject of lesser
importance or size on the other side of the frame. This balances out the
composition without taking too much focus off the main subject of the
Take a look at the
photograph below of the ornate lamppost. Add Pic
itself fills the left side of the frame. The Eiffel Tower in the distance
counter balances this on the other side of the frame.
The photo above was taken in Venice. Once
again, a decorative lamppost dominates one side of the frame. The church tower
in the distance provides balance on the other side of the frame.
You may have
remarked that this seems to go against the idea of negative space mentioned in
guideline number 6. As we said at the very beginning of this tutorial, there
are no unbreakable rules in photographic composition. Some of these guidelines
contradict each other and that’s ok. Some guidelines work well for certain
types of photographs and not others. It’s a question of judgement and
experimentation. So go out and experiment with frame compositions!
11. Golden Ratio
is the golden ratio? Well it’s actually very simple: two quantities are in the
golden ratio if their ratio is the same as the ratio of their sum to the larger
of the two quantities. Sounds too complicated?!
reality it’s quite simple. It’s like a slightly more complex version of the
rule of thirds. Instead of a regular grid, the frame is divided into a series
of squares as in the examples below. This is known as a ‘Phi Grid’. You can
then use the squares to draw a spiral that looks like a snail’s shell. This is
called a ‘Fibonacci Spiral’. The squares help to position elements in the scene
and the spiral gives us an idea of how the scene should flow. It’s a little
like an invisible leading line.
is believed that the golden spiral method of composition has been in existence
for over 2,400 years having been devised in Ancient Greece. It is widely used
in many types of art as well as architecture as a way of creating aesthetically
pleasing compositions. It was particularly well employed in Renaissance art. Add Pic
In this photograph above the bridge and steps
on the left occupy the large square to the right. The Fibonacci Spiral then
leads us from here across the top of the bridge and down to the two women
sitting next to it. Add
golden ratio can be set up in different directions. In this photo taken in
Prague, the spiral leads us across the bridge to the castle on the far bank.
It would be
seem very difficult to have all of these compositional guidelines in your mind
as you are out shooting. However, a good exercise is to make an effort to use
one or two of them each time you go out. You could do a photo session where you
look for situations to use a ‘The Rule of Thirds’ for example.
while, you’ll find that a lot of these guidelines become ingrained. You will
begin to use them naturally without having to think about them. So, go out and
experiment and have a nice time composing your photographs!