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The Red One

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Jack London was one of America’s greatest authors. His works were of tales from the unexplored savage lands of the Klondike to the cannibal infested Philippine Island chain of the vast Pacific, and even the far reaches of space and time. Jack London himself was a pioneer of the unexplored savage frontier. London wrote about this unknown frontier with a cunning sense of adventure and enthrallment. “He keeps the reader on tenterenters books by withholding facts in a way that makes him participate in the action’; (Charles Child Walcutt 16). He taunts the reader with unfulfilled information that subliminally encourages the reader to continue reading their selection. “The tortuously baroque style, it’s telling often proves an annoyance’;(Gorman Beauchamp 297-303). London’s writing attributes are so deep in description and narration, the reader sometimes perceives the story-taking place with them included in the action. His ability to exclude just the very miniscule amount of information transforms his books into a semi-formal mystery. Mr. London’s tales deal with nature, the men and women who either neglected the fact that they are mere mortals, or they humbled themselves as being only a solitary one being on the earth. His stories satisfied the civilized American readers yearn for knowledge of what awaited them over the horizon, with either promise of prosperity or demise with a manifestation of dismay.Jack’s stories have to do with as much from the unknown as it does in dealing with personal experiences. At the young age of thirty-two, London set sail for Hawaii and then the South Pacific. Where he encountered cannibals and inspiration for the later to be, “The Red One’;. Mr. London’s tale consisted of a foolhardy character named Bassett. Bassett is a collector of prized species who explores the cannibal-infested Island of current day Guadalcanal. Initially Bassett, against his instincts, follows a distant sound that emanates deep within the Island. After headhunters kill his assistant, Bassett himself, teetering on the edge of death, stumbles into a mountain field and falls unconscious, with only hopes of dieing. He is saved by a foraging native that brings him to the capital village London’s character Bassett, freely agreed to a death beheading instead of nervous meddling and contemplating the afterlife. “When I die I’ll let you have my head to cure, if first, you take me to look upon the Red One’;(Jack London 977).

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