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As a performance major, time has generally been more devoted to “face time” with my interest than learning the important intricacies of the deep, rich world in which my profession inhabits. Thus, it is an exciting opportunity to be able to delve more deeply into this area of study which my education has so far found lacking. Yet, I find myself so extraordinarily indecisive. In a profession that spans multiple millennia, of which I am myself only the briefest of moments, how does one go about selecting a single topic with which to delve and explore?Perhaps a historical paper on one of history’s greatest composers, Ludwig van Beethoven, might be the route to go. The great German composer struggled through perhaps the greatest form of adversity that may strike a musician and still managed to become one of the greatest composers of all time and hailed as such for generations to come from all across the world. His music was crucial in the transition of music from the Classical to the romantic Periods and his three periods exemplify that transition with mastery. Be it solely through his grand accomplishments as a composer and performer or by the virtue of his unshakable determination to strive ever onward, even in the face of great trial, Beethoven is a role model who finds himself laudable across all ages and across the entirety of the spectrum of people, both musicians and non-musicians.In the same vein, one could explore the life and works of Wolfgang Amadeus Mozart. Though he only survived into his mid thirties, his catalogue of over 600 individual works was an integral factor that shaped the classical period and continues to shape and change music today. His brilliant mind has proven to be a laudable enigma for musicologists…

…to progress far beyond our reach in the art form, thus taking the popularity of jazz from its native shores and delivering it across the sea. Still, one must realize that all this postulation must still make one big assumption; is jazz dead?Of course, for me personally, a subject that hits close to home is the development of religious music. As a Catholic Church choir director, the history and development of the music for the mass is an integral part of my ministry. The church has been a developing organization for two millennia and was the single most driving force in the development of the entire musical art form for hundreds of years. Specifically the history of the origin and development of the parts of the mass holds great interest for me on both a curious and professional level. Therefore, for my paper this semester, this subject would be my preference.

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